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Where Muslim and Jew Once Lived in Tolerance

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By Maria Rosa Menocal The lessons of history, like the lessons of religion, sometimes neglect examples of tolerance. A thousand years ago on the Iberian Peninsula,1 an enlightened vision of Islam2 had created the most advanced culture in Europe.

Al Andalus,3 as the Muslims called their Spanish homeland, prospered in a culture of openness and assimilation.4 A nun named Hroswitha, called it "the ornament of the world."5 Her admiration stemmed from the cultural prosperity of the caliphate6 based in Cordoba,7 where the library housed some 400,000 volumes at a time when the largest library in Christendom8 probably held no more than 400.

What strikes us today about Al Andalus is that it was a chapter of European history during which Jews, Christians and Muslims lived side by side and, despite intractable differences and enduring hostilities,9 nourished a culture of tolerance.

This only sometimes meant guarantees of religious freedoms comparable to those we would expect in a modern "tolerantÓ state. Rather, it was the often unconscious acceptance of contradictions on an individual level as well as within the culture itself.10

For many who came to know Andalusian culture throughout the Middle Ages, whether at first hand or from afar¡ªfrom reading a translation produced there or from hearing a poem sung by one of its renowned singers¡ªthe bright lights of that world, and their illumination of the rest of the universe, transcended differences of religion.

It was in Al Andalus that the profoundly Arabized Jews rediscovered and reinvented Hebrew poetry. Much of what was created and instilled11 under Muslim rule survived in Christian territories, and Christians embraced nearly all aspects of Arabic style¡ªfrom philosophy to architecture.

Christian palaces and churches, like Jewish synagogues,12 were often built in the style of the Muslims, the walls often covered with Arabic writing; one synagogue in Toledo even includes inscriptions from the Koran.13

And it was throughout medieval Europe that men of unshakable faith like the two great philosophers of Al Andalus, Maimonides14 the Jew and Averroes15 the Muslim, saw no contradiction in pursuing the truth, whether philosophical or scientific or religious, across confessional lines.16

This was an approach to life¡ªand its artistic, intellectual and religious pursuits¡ªthat was contested by many, sometimes violently, as it is today. Yet it remained a powerful force for hundreds of years.

Whether it is because of our mistaken notions about the relative backwardness of the Middle Ages or our own contemporary expectations that culture, religion and political ideology will be roughly consistent, we are likely to be taken aback by many of the lasting monuments of this Andalusian culture.17

The caliphate was not destroyed, as our cliches of the Middle Ages18 would have it, by Christian-Muslim warfare. It lasted for several hundred years¡ªroughly the lifespan of the American republic to date¡ªand its downfall was a series of terrible civil wars among Muslims.

These wars were a struggle between the old ways of the caliphate¡ªwith its libraries filled with Greek texts and its government staffed by non-Muslims¡ªand reactionary Muslims, many of them from Morocco,19 who believed the Cordobans were not proper Muslims.

But in the end, much of Europe far beyond the Andalusian world was shaped by the vision of complex and contradictory identities that was first made into an art form by the Andalusians. The enemies of this kind of cultural openness have always existed within each of our monotheistic religions,20 and often enough their visions of those faiths have triumphed.

But at this time of year, and at this point in history, we should remember those moments when it was tolerance that won the day.

1£®Iberian Peninsula: ÒÁ±ÈÀûÑǰ뵺£¨Å·ÖÞÎ÷Äϲ¿£©¡£
2£®enlightened vision of Islam: ÒÁ˹À¼½ÌµÄÔ¶¼û׿ʶ¡£enlightened: ¿ªÃ÷µÄ£¬Ã»ÓÐÆ«¼ûµÄ£»Islam: ¼ÈÖ¸ÒÁ˹À¼½Ì£¬ÓÖÖ¸ÒÁ˹À¼½Ìͽ¡£
3£® Al Andalus: °¢¶û¡¤°²´ï¬Î÷£¬ÕâÊÇÄÂ˹ÁÖ¶ÔÎ÷°àÑÀÄϲ¿Ò»µØÇøAndalusia£¨°²´ï¬Î÷ÑÇ£©µÄ³Æºô¡£
4£® a culture of openness and assimilation: Ò»ÖÖ¿ª·Å¡¢ÈںϵÄÎÄ»¯¡£
5£® the ornament of the world: ¿ÉÖ±ÒëΪ¡°ÊÀ½çµÄÁÁµã¡±£¬Òà¿ÉתÒëΪ¡°Òì²Ê·×³ÊµÄÊÀ½ç¡±¡£ornament: µã׺¡¢×°ÊλòÔöÌí¹â²ÊµÄÈË/ÊÂÎï¡£
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7£® Cordoba: ¿Æ¶à°Í£¬Î÷°àÑÀµØÃû£¬µ±Ê±ÒÁ˹À¼½ÌͳÖÎÎ÷°àÑÀµÄÖÐÐÄ¡£Cordoban, ¿Æ¶à°ÍÈË¡£
8£® Christendom: »ù¶½½ÌÊÀ½ç¡£
9£® intractable differences and enduring hostilities: ÄÑÒÔÏû³ýµÄ·ÖÆçºÍ³¤ÆÚµÄ¶Ô¿¹¡£
10. ǡǡÏà·´£¬Ëü£¨Ö¸Èý½ÌºÍƽÏà´¦£©³£³£ÊÇÔÚ¸öÈËÖ®¼ä£¬Í¬Ê±Ò²ÔÚÎÄ»¯±¾Éí·¶Î§Ö®ÄÚ£¬ÎÞÒâʶµØÏ໥½ÓÊܱ˴˵IJî±ð¡££¨Ò²¾ÍÊÇ˵£¬ÕâÖÖ¿íÈݲ¢²»ÊdzöÓÚÎÞ¿ÉÄκΣ¬¶øÊÇÒÑÉîÈëµ½ÆäÎÄ»¯Ï°Ë׵ĵ×ÔÌÀïÃæ¡£)
11£®created and instilled: ´´ÔìºÍ¹àÊä¡£What is created³£³£ÊǾßÌåµÄ£¬ÎïÖʵģ»¶øwhat is instilled³£³£ÊdzéÏóµÄ£¬¾«ÉñµÄ¡£
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14£® Maimonides: ÂõÃÉÄáµÂ£¨1135-1204£©£¬ÓÌÌ«½Ì·¨Ñ§¼Ò¡¢ÕÜѧ¼Ò¡¢¿ÆÑ§¼Ò£¬³öÉúÓÚÎ÷°àÑÀ£¬¶¨¾Ó°£¼°¡£
15£® Averroes: °¢ÍþÂÞÒÁ£¨1126-1198£©£¬ÒÁ˹À¼ÕÜѧ¼Ò£¬½«ÒÁ˹À¼´«Í³Ñ§ËµºÍÏ£À°ÕÜѧÈÚΪһÌ壬²¢ÆÀ×¢¹ýÑÇÀïÊ¿¶àµÂµÄ×÷Æ·ºÍ°ØÀ­Í¼µÄ¡¶¹²ºÍ¹ú¡·¡£
16£®confessional lines: ÐÅÑöµÄ½çÏÞ¡£
17£®lasting monuments of this Andalusian culture: ÕâÖÖ°²´ï¬Î÷ÑÇÎÄ»¯³Ö¾ÃµÄ·á±®¡£
18£®cliches of the Middle Ages: ¹ØÓÚÖÐÊÀ¼ÍµÄ¡°³Â´ÇÆ«¼û¡±¡£cliche·¨Óï½èÓôʣ¬Ö¸³Â´ÇÀĵ÷£¬Ì×»°»òÆ«¼û¡£
19£®Morocco: ĦÂå¸ç£¬±±·ÇµÄÒ»¸öÒÁ˹À¼½Ì¹ú¼Ò¡£
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The writer, a professor of Spanish and Portuguese at Yale University, is author of the forthcoming The Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain.* She contributed this comment to The New York Times.
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